Archive for May, 2006

This post isn’t perverted at all, honest.

Okay, so my theory is concerning the fact that even when I sleep (as in now), I somehow still end up very, very tired.  In fact, I’m just constantly tired.  Clearly it must be independent of sleep, since the amount of sleep I get is not proportional to the degree to which I’m tired.

So what I think is going on is that I’m running my brain at too high a speed, “overclocking” it so to speak.  My evidence for this is that when I try to run a particularly difficult program, for instance one that tries to generate fantasy backstories, the rest of my body seems to “turn off.”  My muscles all go limp, and I just slump there being ummm a lump?  It’s really funny, actually.  Although I am more awake than at any other time, I seem to be the most lifeless.  At that kind of moment, I feel that I am 100% soul and 0% body.  Not being a dualist in any capacity, I hate making such an analysis, but that’s really just how it seems.

I do not have an advanced understanding of the brain, so I do not know exactly what it means when I am so focused on thinking about something that I neglect the rest of my body for a few moments.  However, I am sure that this can be tied to the perception that I am tired, when physically I am well-rested.

It does make sense, for while I sleep, I rest my body but not my mind.  This is because my dreams, while emotionally very simple, are technically very complicated to pull off.  If maybe I can find a way to simplify my dreams, then I can sustain my awake-hours thinking processes.

Okay, back to thinking about aethers.

So, as some of you might know, I am a big big fan of visual novel-type “games” in which you read a story that is accompanied by mostly static drawn characters on screen, background music, and lush backgrounds.  I’ve been interested in making one of my own (using Flash) for awhile, but I’ve held off mostly because I couldn’t imagine myself producing all the background landscapes (I don’t mind doing the characters or the script or the game engine, actually, and of course I love composing).

However, as of yesterday, I’ve realized that all of a sudden, I seem to have acquired a (brain) program that allows me to generate scenes.  I tested it out on the restaurant in Act II Scene 2 of “Mistaken” and it generated a pretty nice restaurant that I like quite a bit.  I can sketch it out later (I have a pencil sketch).  I’m not sure how I came to acquire this renderer, but it’s quite cool (except it takes near-80% of brainpower as it is generating images).

The features of this program are:

– instantaneous addition of an item

– very flexible rotation of texturing

– variable lighting from multiple sources

– sim-characters to roam around

– full 3D rotation (but this can cause headaches)

The main problems are:

– risk of losing an item if RAM requirements for the image get too high
– might get run over by a car if in use while crossing streets

Anyway, so now I can make my own visual novel!  I’m gonna try thinking up a good plot now ^^.  It had better involve a lot of girls, because I still don’t like drawing guys.  Ha!  Don’t worry, girls … I’ll still have male characters, and I’ll make them as attractive as possible.

I probably have to produce ~6 expressions/character (happy, angry, neutral, scared, doing activity, and uber-moe), plus a few costume changes.  I need to be careful to program this well so that I can centrally set every single thing very easily (position of characters, which expression they wear, what text is on the screen).

Heyo! I’ve begun work on my fanart for Wicked the Musical. I’m drawing Glinda and Elphaba, whee! Elfie is still under heavy construction, so you can see her royal greenness next time. For this little teaser, it’s just Glinda, being pretty and popular or whatever she is.

Anyhow, I’m very happy and relieved that all my grades are in. I’m glad that I managed to pull off all A’s, but I’m totally shocked that my three BE classes gave me A+’s! Thanks, profs!!!

I would finish Mistaken, but another Art is crying out to me for attention!  You see, I fell completely in love with the musical “Wicked” due to someone’s iTunes collection, and now I *really really* regret not going to see it when it came to the Opera House in Boston.  Blah!

Anyway, the least I can do is make a fanart rendition of Elphaba and Glinda.  I made a sketchy, but our scanner is broken so I’m gonna redo the sketch on the computer (ha, good luck to me on that … my sense of proportion on the computer is absolutely horrendous).

Today is also the first day of my MCAT class … mewp.

Summer break has started.  In any case, I’ve spared a few minutes to do some writing.  This latest project may be read here:  (click here)

Entitled “Mistaken,” this is my attempt to get back into the rhyming mode; it’s been quite awhile since I’ve seriously attempted to use rhyme, partially because I haven’t been doing poetry lately, and because it’s not a good mode for trying to express something in an emotionally precise way (since there is only one word exactly right for each situation, and rhyming forces you to use synonyms).

However, I’ve rekindled plenty of interest in one day writing a musical, and given that light-hearted setting, rhymes really slide much more easily and memorably off the tongue, and I’d rather compose a libretto that rhymes than one that doesn’t.

Of course, the lines in “Mistaken” aren’t meant to be sung – they’re usually quite long and have no syllabic regularity (except as enforced by my “intuitive” sense of rhythm).  I do hope that, when read out loud, they have a certain flow to them, but I acknowledge that at least 1/10 lines is a bit awkward.

Mistaken: A Rhyming Play in Three Acts.

Very broadly:

Act I represents falling and rejection. – 4 scenes
Act II represents collecting oneself. – 4 scenes
Act III represents re-ascension and acceptance. – 4 scenes and a grand finale.

Characters:

Primary characters:

Reina: A talented, beautiful senior at MIT who’s about to make a decision that will shock all of her friends.  Her name means “queen,” and this story is about the ironic way in which she comes to make good of that name.  Reina is highly intellectual and complicated, but also eternally stubborn.

Collin: Reina’s boyfriend of several years.  He’s also a senior and very dependable.  Overall, a pretty decent guy, but if he and Reina argue, she’ll always get her way.  He’s got a good job all set to go.

Secondary characters:

Lisa: One of Reina’s childhood friends who has gone to MIT with Reina.  She’s the smart but more quiet type, not quite secure in herself.
Marjorie: Another of Reina’s childhood friends, but she goes to a local community college.

Toby: A boy who has a crush on Lisa.  He’s goes to the local state college.

Other characters:

Reina’s parents: The strict type that expects their daughter to become a CEO or the President of the USA or something grandiose like that.  She’s an only child, so their expectations in her are very high.

It’s the end of the semester again … so that means another grade audit, I guess. I screwed up the last 7.05 exam today (not very happy about that … it’s a matter of honor, I guess .. it was just question #3 that went wrong, but I really am disappointed in myself over that) .. .
Continue reading ‘[064] Grade Audit’ »

“The unexamined life is not worth living.” — Socrates (actually Plato .. Socrates didn’t write, period).
“Excellence, then, is not an act, but a habit.” — Aristotle.

“I think, therefore I am.”  — Descartes.

“Treat humanity, whether in your own person or in the person of any other, never simply as a means, but always at the same time as an end.” — Kant.

“First of all, man exists, turns up, appears on the scene, and, only afterwards, defines himself.” — Sartre

Steel

Justin Lo (7364)

By the time I realized that I was being followed, it was too late. Plumes of violet-black smoke spread around the hazy, psychedelic background as the hooded figure suddenly pounced onto me and slammed me into the concrete. I could feel the blood trickling out of the back of my head as the stench of ethanol filled my nose. I was fortunate to have not suffered a concussion, and wasting no time, I wriggled my right arm free of the inebriated figure’s grasp.

I could hear my shirt and pants being torn off as I desperately fished the pocket knife out of my purse and started slashing furiously. As he thrust incoherently at my abdomen and thighs, I took the opportunity to cut deeply at his right arm, trying to free my other hand, carving out an asterix of blood. I heard one of my neighbors rush outside; this was enough to scare the rapist away.

I lay there, my naked flesh exposed to the air, bloody pocketknife in my hand, breathing deeply … and then I passed out … .

“Melinda, you sure look down today,” I said, noticing the rings beneath her normally jubilant eyes. “Should I make grab you some coffee or something?”

“No, I’m fine,” she said, a bit coldly. Then, with a more patient tone, she explained, “I dreamt about that again. You’d think that twelve years after, I’d stop having that dream.”

I shook my head. “I don’t know if something like that can really ever go away,” I said. We implicitly agreed to drop the subject.

Melinda sighed, splashing her face with cold water. “Shift’s in fifteen minutes,” she said, getting dressed. “Looks like maybe you could use some coffee, yourself.” I smiled. She was definitely the best surgeon in the whole hospital; I couldn’t be any happier than working with her. She seemed to be able to brush everything personal aside – including her traumatic past – the moment her shifts began each day.

During lunch break, we’d always talk without inhibition; I told her about my romantic trysts; she shared everything from her favorite TV shows to even her dreams – even this dream, when it first came up three years ago.

In the blink of an eye, fifteen minutes had past, and we found ourselves in the operation room, ready to go. The door opened abruptly, and we knew it was a patient in serious condition. I deftly handed Melinda all the instruments as she requested them, and with her raw precision, she worked thoroughly and skillfully as she always had. For a minute, I was idle, and in this time, I finally got a chance to look at our patient – an older-looking man, face sort of sickly looking, perhaps from heavy drinking.

I looked over to where Melinda was working and then over to the side. I instantly froze when I saw his arm, for on it, in plain sight, was a large scar the shape of an asterix. At first I thought that maybe he had come for revenge, but then I remembered that he would be harmless under general anesthesia.

So I waited until the operation was over to signal Melinda over to the side, and then I paused, not able to find the right words with which to frame my concerns.

“Yes?” she asked.

“D-did you … see … the scar?” I asked finally.

But Melinda didn’t reply. She only gave an enigmatic, possibly eerie smirk. I shivered slightly before walking back over to the carts to prepare the instruments for the next operation.

Speaking of incomprehensible philosophies and such (my own being the most irrelevant and bizarre of them all), I present to you this fundamental law of human behavior:

Reading Kant causes you to fall asleep.

I do not yet have an argument by which I might support this, but having switched to Hume in order to wake up (and it has worked), it may be the viewing of the events 100 times that leads me to infer such a conclusion.

It is magical – the language which Kant uses is totally normal; his ideas are quite attractive.  But then the eyelids begin to feel heavy, and suddenly one is asleep!  On the other hand, reading Sartre, Russell, Hume, etc. have the effect of arousing the mind and leading to tangential philosophical adventures.

What is it about Kant that singles his work out here?  Perhaps it is because he is more likely than any of these others to be on the exam on Wednesday?  Perhaps I am just stupid and wasting time?

One of the inadvertent, unfortunate effects of studying for a philosophy final is the constant deviations in thought, as the philosophies are variously absorbed and processed, and then churned back out in bizarre permutations. If studying science, like the kinetics I was studying earlier today, is like inputting strings into my mind, then studying philosophy is like inputting lines of code which I accidentally begin to execute.

However, my philosophy is not the same as the ones that I read. It is a strange disconnect that I can’t quite place my finger on. I have just read bits of Sartre’s “L’Etre et le Neant” as well as “L’Existentialisme est un Humanisme,” the former of which is incredible self-contradictory and the latter of which is, in all its clarity and lay terminology, by far the inferior text (I’m not even quite sure why we read it, as Sartre himself thought it was a mistake to publish). In any case, there’s really something big here, about my being as such, and how I am indeed, in the act of acknowledging what I am, being what I am not, and striving to become what I am, denying that I can be what I am.

But leave that aside for now; I am not Sartre, and I’m not quite the type of existentialist he was. What I wish to consider here is something a bit difference.
We are alive; life exists. Life is a bizarre form of matter in that it seems to want to do something rather than having things done to it. Humans are a further extension of that absurdity, for they have a will, and the first use that they have for this will is to simply think this: “I wish I did not have a will.”

As much as we cherish and champion free decisions and those who take the initiative, people would ultimately much rather that things just happen. If we could press a button to write a paper rather than actually write it, we would probably press it. If we could extend the deadlines for papers indefinitely, we would extend them and then never write the papers, comforted that they are not yet due.

And yet, such a life would be full of shame. Why does it make us feel guilty and shameful? It is not because we wish for change! No, it is because we hate change.

But, that is the very reason why we choose to effect change. We want to change the world so that it will stop changing. In short, we wish to renounce our non-livingness – that is, the state of being eternal dirt – and become, briefly, these transient living beings, all in order that we may somehow achieve a state of untouchability; a nirvana in which we, renouncing again life (for life is contingent on future death), instead of being the non-life of dirt, are the non-life of Heaven.

Immortality is in itself a useless concept. It is quite akin to the ordinary state of death. No, we do not desire immortality. We hate decisions, but we also hate being the object of decisions. We want to be apart completely from the idea of decision, from the idea of being swept about, and so we strive to make the “final decision,” the decision that would end all decisions.

But what could this decision be?

Many people proceed through life without ever making this decision. In fact, no person so far has. People instead fall into complacency and then die in a fit of resignation. Death is not the decision; death is the consequence of the failure to make the decision.

As humans, we have finally come to the point where we can conceive of the decision, and the decision is thus:

To first create a new world so completely that it cannot be doubted to exist.

And then, with this will, make the one decision that only it may make, and that is the decision to believe that, in this new world, one has no will. And then all would be the perfect state of nothingness, where one may not be touched or hated.