Archive for the ‘Anime/manga’ Category

The vast majority of anime theme songs (ops/ends/insert songs) are cheap imitations of one another and only good for a few listens (hence why they have to switch them out so often). But a few of them stand out from the crowd – songs I can listen to over and over again. Here are my personal favorites~

Futakoi Alternative ED: Bokura no Jikan by Eufonius. A quiet, breathy song with a lovely acoustic guitar + strings intro that always touched me at the ends of the episodes. Eufonius has a cute voice, but not in that shrill, helium-infused way (at least, not in this song).

DNAngel Insert: Michishirube by Shunichi Miyamoto. This was the song that played at the denouement with all the snow. It’s a really heartwarming song, and I really love this guy’s voice. His vibrato is very mesmerizing (to me, anyway). There are lots of songs called Michishirube, but this is my favorite one =).

Ghost in the Shell: ALL of the Kimiko Itoh songs. Kimiko Itoh is a crazy amazing jazz singer, and her versions of really old songs is haunting and beautiful. If you’re sick of bubblegum pop anime songs, you need to listen to some of this. It’s so thick, meaningful, heartwrenching.

Saikano ~Another Love Song~ OP: Mayonaka no Niji by Akira Asakura. Saikano manages to fuse apocalypse and cold, futuristic war with gorgeous melodies like this that remind you that even in the shell of bleak landscapes, there’s still a human heart burning inside.

Wind ~A Breath of Heart~ 2 OP: Dream by Megumi Hasegawa. Okay, so I’m biased – the violin line in the interludes won me over for this one =). It’s a cute song with a very good overall construction, and harmonically a lot better than a lot of the competition.

Nana Movie Insert: Endless Story by Yuna Ito. This complete overhaul of a cover (original song: “If I’m not in love with you”) brings J-pop and American pop traditions together. It’s a really gorgeous rendition and powerful.

Fullmetal Alchemist OP #2 (I think?): Ready, Steady, Go by L’Arc~en~ciel. Haha! This one is pretty classic, I think. I liked Melissa by Porno Graffiti, too, .. actually, I liked all the opening songs for FMA. But this song was so catchy .. you have to admit it ..

I think I’m going to buy myself the four available volumes of “Love Roma.”  This may seem utterly random, but I have good arguments for why this should be an “own” and not just a “browse.”

I’ve actually already read the first two volumes.  It was one of the last volumes that I ended up reading at the MIT Coop (I’ve read almost all of the stuff there …) because I was really put off by the art style.  It looked like some six year old was trying to draw.  And yet, I realized instantly after the first few pages that this was probably the most unique love story I had seen in years.

I think that the equivalent in my writing would be a romance in the flavor of “Julia and Jason,” in which there is no rivalry, no love triangles, no affairs, no dramatic confessions, no suspense.  From the first chapter, we know that the couple is a couple, and will stay a couple forevermore.

So what’s the point of reading it?  The beauty is in the way it addresses reality of love.  Movies have the good fortune of being able to end whenever they want, and there are particular solutions to the “ending question” that have been tried and true.  You end after the couple becomes a couple.  Or you end when the couple gets married.  Or you end when the couple is finally reunited.

The point is, no one cares what happens to the characters after the drama ends.  Cue in the theme song as the wedding bells ring; we assume “happily ever after” (ignoring, of course, the 50% divorce rate).

No one cares … except Minoru Toyoda.  Just because Hoshino and Negishi are dating happily, just because nothing goes terribly wrong in their relationship – that’s no reason to leave them behind.  They’re real people – their lives go on – their happy relationship has to stay a happy relationship after a month, a year, many years.  Just like real relationships.

True love isn’t overly dramatic.  It isn’t marked by hot dates or tear-inducing proposals or splendid weddings.  It’s marked by a love shared little by little every day.  And that’s what Love Roma is all about.

Contrary to how it may seem, I don’t exclusively read cheesy romance manga.  Actually, it could be argued that I am most engrossed by a completely different genre that is often mutually exclusive with romance: the “intellectual” suspense thriller genre.  One particular series that I finally got around to reading is “Monster” – the humanities library has the first three volumes, of which I’ve only read one.

I don’t want to spoil much (since the genre is one that is particularly sensitive to spoilers), but the basic premise is that the main character, a Japanese neurosurgeon working at a famous hospital in Germany, is suddenly surrounded by strange occurrences (death and intrigue).  At the outset, it seems as though this is just a scathing critique of hospital politics and bureaucracy (which is certainly relevant, and interesting unto itself), where the protagonist embodies the true Hippocratic ideal in a world where institution has made the hospital the battlegrounds between business and medicine.  However, the real subject matter is even darker and suddenly blurs the bread-and-butter good and evil (Dr. Tenma vs. the “hospital machine”).  Tenma sacrifices his reputation to save a boy … but who would this boy, who owes everything to Tenma, and who, moreover, is the only one who Tenma has confided his true emotions in – who would this boy turn out to be?

Anyway, if you’re into this sort of thing (akin to Death Note in its unforgiving evaluation of the human mind when driven to its extremes), it’s certainly a good read.  Mm, I really can’t wait to find out what happens next!

I’m “auditioning” the large horde of new fall anime series. If anyone would like my evaluations of the following, I’d be willing to provide them. It is definitely pretty difficult to wade through the sheer number of potentially interesting series.

[Bishoujo game adaptation – romance from a boy’s point of view]
Kanon: a guy with amnesia returns to the city of his childhood, where many girls with angsty pasts await him. Verdict: Anim 10 Music 9 Storytelling 8 Plot 10 Chara 9
Yoakena (I can’t remember the whole title): a moon princess comes to Earth to live with a guy who has a fetish for pinching girls’ noses. Verdict: Anim 7 Music 7 Storytelling 8 Plot 5 Chara 7
Happiness!: a young girl is rescued from bullies by a magic-using guy who she falls in love with at first sight. As a result, she is now a top-class magic-user herself, and the boy she liked reenters her life. And stuff explodes. Verdict: Anim 8 Music 8 Storytelling 7 Plot 6 Chara 7
Otome wa Boku (actually written “Onee-sama”) ni Koishiteru: a boy’s grandfather makes his dying wish, and it turns out that he wants his grandson to attend a prestigious school .. for girls. The classic lesbian Catholic schoolgirls are back .. but I would suppose they’re in for a bit of a surprise. (Not yet previewed)

[Shounen – powering up is the key]
Death Note: Raito Yagami is a cocky straight-A student who’s looking for something intellectually stimulating. He gets his answer in the form of a notebook that a death god drops into this world, a notebook that can be used to kill any person whose name and face are known to the user. Verdict: Anim 9 Music 7 Storytelling 6 Plot 10 Chara 8 (<3 L) D. Gray-Man: (not yet previewed)
Sumomo mo Momomo: Momoko is a strong and talented martial artist.  But she wants more strength, and her father says that the only way to gain this power is to procreate with another strong martial artist to generate the ultimate martial arts child.  She promptly accepts this task and tries to bed her crush, a boy who thinks about nothing but law and studies.  He probably has latent martial arts talent, but as it stands, he hasn’t shown any.  Comedy where the girl gets to be ecchi. Verdict: Anim 7 Music 6 Storytelling 7 Plot 7 Chara 8.
[Shoujo – romance and comedy from a girl’s point of view]
Yamato Nadeshiko Shichihenge: Four very, very sexy guys are looking for a good place to live, and they are given a deal: they can get a deep discount for renting a veritable mansion as long as they can turn the landlady’s niece into a real lady. Except that said niece is a horror-movie buff who lives in the dark and thinks about only the most grotesque and vile of things. And she gets nosebleeds from seeing hot guys. Verdict: Anim 9 Music 6 (UGH) Storytelling 8 Plot 9 Chara 9
Hataraki Man: The main character is a workaholic woman who wants to try falling in love for once. (not yet previewed)
La Cordo d’Oro: A pretty standard shoujo piece based on a game of the same name. Lots of bishounen and a clumsy, unlikely heroine. The premise is nice, though: the school the heroine attends specializes in music, so there are students enrolled either as normal students or as conservatory students. The heroine receives a magic violin via an obnoxious fairy and is suddenly thrust into auditions alongside the most talented, most handsome of music students … . Verdict: Anim 10 Music 7 (hire someone who can actually write classical music!!) Storytelling 7 Plot 7 Chara 8
[Horror/Psychological]
Red Garden: (not yet previewed)
Jigoku Shoujo Season II: Enma Ai is a shinigami, and if you go to her website, you can apply for a doll. This is no ordinary doll: if you pull off the string around its neck, you can send any person you hate to hell, at the cost of your own soul, which will be marked for hell upon your death. (not yet previewed)

[Action]

Black Lagoon II: (not yet previewed)
Pumpkin Scissors: (not yet previewed)

Yes, that’s 13 series. But I’ll whittle it down to about four after the second episodes are released. I’m watching many of these raw, by the way, but I’m usually familiar with either their prequels or their manga versions, and plus I read anime blogs religiously.

… when I am much better equipped to be writing a manga/manhwa blog!

Anyway, I have gotten hooked on a whole lot of Japanese and Korean girls’ comics lately. I really enjoy reading the ones that have a strong female lead and really handsome males (there’s usually only one girl, but many guys fighting over her :) ). My latest series that I’ve read are Zettai Kareshi (Absolute Boyfriend) (6 vol), Koukou debut (I only read 2 vol ..), Ijiwaru Shinaide (2 vol), Pheromomania Syndrome (I’ve only read 1 vol.), and lately, Hot Blooded Woman (I’ve read 9 of 24 volumes).

It’s of course not that I have suddenly stopped liking guy-aimed series. I also like the series “Girlfriend,” which is about guys and their girlfriends. But although both sides are treated somewhat equally, I find that the girls are a little bit too .. horny .. to be realistic. It’s nice to see girls that don’t knock guys into the stratosphere for looking at them, but there’s a lack of emotional content vs. sexual content in the relationships that sort of makes me raise an eyebrow.

The nice thing about modern girls’ comics is that they are actually not remarkably girly at all. This probably seems a bit surprising, right? But what I mean can be illustrated by this example: while many characters are fashionable (actually, the main female lead usually *isn’t*, haha! But all the other girls, plus all the males), it’s as though fashion is part of the style, just like larger eyes are part of the style. No one says “oh, you have big eyes” since everyone has big eyes. Just like that, also, fashion/make-up/etc. are also not much of a focus. The focus is really on the emotions of the female and male characters … and on their antics, too.

As another example, I used to avoid shoujo manga because I assumed that they would be full of gossip and jealousy.  But actually, the protagonists almost never gossip, instead relying on people’s honesty; and the jealousy is also comparatively rare.  When the green monster does strike the protagonist, she’s usually justified, and she always handles it in a cute way.  I really had had so many misconceptions about the life of girls, because of all those male series in which girls believe every bit of gossip they hear (and then give the male lead the silent treatment), or when the girls get jealous and won’t listen to any rational argument.  Thankfully, in shoujo, this isn’t the case!  The girls are much more realistic.  They are sensitive, but they are also honest, good people, and they are often much more forgiving of the male characters than I would ever be in their situation.

Another nice thing about shoujo series is that the girls are so much more human. In shounen or seinen or bishoujo series, you see the pretty girls from afar, being .. pretty and elegant or cute and clumsy or whatever your archetype of choice. Even tsunderekkos, in all their cruelty, are seen as unattainable queens.

In shoujo, on the other hand, since it is told from the girls’ point of view, you get to see them eating hamburgers like slobs, trying to clean their messy rooms, using the internet (something that bishoujo girls seem to rarely do, for some reason), playing video games, trying to finish homework, struggling to choose between two handsome guys, or just arguing with their parents. Their portrait is just that much more candid, and it makes the characters much more endearing to me.

As for the males, they are a lot more handsome and interesting. They aren’t indecisive nerds or jerks like in male series. The main problem with male series’ relationships is the disconnect between gorgeous, intelligent girl and rather stupid, womanizing male lead (or the spineless doormat). On the other hand, with girls’ series, you have a strong female and a strong male – the relationship is like an equal duel.

Do not take that “duel” line too figuratively. In “Hot Blooded Woman,” a very amusing situation arises. So, the female character thinks she is the rival of the male lead; the male lead thinks he is the love interest of the female character. She asks him for a duel (the kind where someone dies), but he misunderstands this as the sort of “duel in bed.” So he invites her to a hotel. There, he tries to take off his clothes, and she tries to take him out with the furniture. Repeated incidents of this type ensue. However, the moment that the female lead gets beat by the male character, she falls in love with him, and so one day she starts stripping in front of him in an attempt to seduce him. He gets into a defensive stance and then starts backing away. The chemistry between these two is simply spectacular!

In any case, shoujo artists are definitely really talented, not just in drawing, but in coming up with well-balanced stories that are beautiful, cute, and tremendously funny. While male humor seems to come in the flavor of idiocy, breast groping, and panty shots, female humor encompasses wit, dramatic irony, situational irony, the absurd … in addition to idiocy, breast groping, and panty shots (yes, I have seen all three in girls’ series .. and they’re no less inhibited about it than any male artist would be :P).

Anyway, time to read some more “Replay” manhwa. Til later!

After viewing “The Melancholy of Suzumiya Haruhi,” ep. 13, I can’t help but comment a little on Itsuki’s little spiel in the taxi cab.  He introduces the rather intriguing (yet simultaneously a bit trivial) concept of the anthropic principle, mostly as an explanation for what’s going on with Haruhi’s “control” of the universe.

At least through the limited exposure I have had to this principle (read: a passage on the MCAT, and a bit of Wikipedia), I feel like there’s a bit of a misunderstanding here.  The basics are right: essentially, the universe’s properties, at least this universe’s, take on the values and appearances that they do simply because they are the ones conducive to life.  It might furthermore be thought that we, fascinated that c = 2.998 x 10^8 m/s or that ice is more spacious than water, are actually being silly little critters, for only under those constraints could we be in this situation to understand them in this way.  There might be other universes where c is not fixed at all, or where a proton is made up of four quarks and not three, or a myriad of other situations to which we grant absolute “truth” without a clear reasoning for why exactly it must be so.  For instance, it seems arbitrary that the mass of an electron is 1/1836 that of a proton.  It may indeed be arbitrary, and just as how both birds and bees can fly, perhaps in a different universe, there might be a very different sort of electron.  Then, maybe we don’t need to be in awe or attribute it all to mystery – things work the way they do because otherwise we wouldn’t be here!
In all of this local greatness, there is not really such a strong sense of the causality that Itsuki tries to emphasize.  It’s not so much that the universe exists because we exist, but rather that this universe, which bore us, is now viewed by us, just as a newborn child would first see his or her mother.  Thus, it is not really valid to say that, by analogy, Haruhi, by wishing for there to be espers, has caused espers to exist.  It’s not as if we may decide the value of the speed of light.

On the other hand, one might say that we believe, or want to believe, in espers, because something about this corner of the universe leads us to do so, and perhaps that might imply their existence.  This is of course very doubtful, but at least makes more sense than attributing a ridiculous amount of causal power to human beings which is certainly not granted by the anthropic principle, at least the reasonable statings of it (there are some really out-there versions that I find incomprehensibly far-fetched and ill-reasoned).

Sister

Mica

Ayanna

Etherea

Heyo! I’ve begun work on my fanart for Wicked the Musical. I’m drawing Glinda and Elphaba, whee! Elfie is still under heavy construction, so you can see her royal greenness next time. For this little teaser, it’s just Glinda, being pretty and popular or whatever she is.

Anyhow, I’m very happy and relieved that all my grades are in. I’m glad that I managed to pull off all A’s, but I’m totally shocked that my three BE classes gave me A+’s! Thanks, profs!!!

So, I had some serious post ideas, one about political loyalty and the other about homosexuality.  But what do I decide to write about first?  My inability to properly color hair!  Ha, take that for priorities :).

The thing about hair is that I still don’t quite grasp how to represent the strands.  I repeatedly err by drawing too many lines in the line art itself, when the texture must be delicately done using colors only.  In addition, I smear too many of the colors, when it’s the sharp contrast between light and dark strands that builds the true character of hair.

In my most recent drawings, I think you can tell that my coloring of eyes and skin has reached a point that I would call anime-art maturity; it’s certainly not world-class, but it’s not too shabby, either.  On the other hand, I still color hair like a little child, and it’s embarassing that I’m more willing to share a drawing with every part colored in except the hair rather than one with the hair colored in.

Given that I do need to make a set of link banners for AS anyway, I might as well take the opportunity to study doing hair.  I definitely won’t stop until I get it right for once!

A short one minute experiment … it’s kind of interesting, kind of boring.
Listen

In other news, the Suzumiya Haruhi no Yuuutsu ending is getting a lot of attention these days. It’s a really catchy, seemingly simple peppy song called “Hare Hare Yukai.” The animation the screen is a cute dance performed by the members of the SOS-dan. I’ve compiled a few links here for your perusal, as well as a chordal analysis by yours truly, with the help of the piano score.

The original (CUTE)

The famous Gundam model version (AWESOME)

Some random guys doing the dance on the street (AWFUL – in a hilarious way)

A guy playing on the piano .. with a lot of transcription errors (imo)

Piano sheet music (PRETTY GOOD – messed up key sigs though) (the midi is @ http://www.alphatrance.com/0engine/music/anime/)

Hare Hare Yukai, DDR edition! (SWEEET)

ASCII version, if you’re into that kind of thing (WTF; btw, you can use a program to do this) 

And finally, the obligatory white guy version (HA) 

Harmonic Analysis:

Intro: Eb: I V vi (IV V)
A section: I V vi IV V; I V/vi vi V
Bridge: F#: IV V4-2 iii7 (nice! – keeps voice leading, too) IV; ii iii7 F: v V/IV IV V

Refrain: F: I V/vi vi V7; IV IV V vi7 iv7 V; I V/vi vi V7; IV IV V vi7 IV V;
Db: I
E: I –> Eb: bII
Eb: I bII I bII I etc. .. –> back to intro.

Wah, I feel like an otaku.  This is very bad. >_>